RARE AND EXTREMELY CHOICE 
COLLECTION 


FORMED BY THE WIDELY KNOWN 
CONNOISSEUR 


Mr. LOUIS GUERINEAU MYERS 


OF NEW YORK 


FIRST AFTERNOON’S SALE 
THURSDAY, FEBRUARY 24tu, 1921 


CONDITIONS OF SALE 


1. Any bid which is merely a nominal or fractional advance 
may be rejected by the auctioneer, if, in his judgment, such bid 


‘would be likely to affect the sale injuriously. 


2. The highest bidder shall be the buyer, and if any dispute 
arise between two or more bidders, the auctioneer shall either de- 


cide the same or put up for re-sale the lot so in dispute. 


3. Payment shall be made of all or such part of the pur- 
chase money as may be required, and the names and addresses of 
the purchasers shall be given immediately on the sale of every lot, 
in default of which the lot so purchased shall be immediately put 
up again and re-sold. 

Payment of that part of the purchase money not made at 
the time of sale shall be made within ten days thereafter, in de- 
fault of which the undersigned may either continue to hold the 
lots at the risk of the purchaser and take such action as may be 
necessary for the enforcement of the sale, or may at public or 
private sale, and without other than this notice, re-sell the lots 
for the benefit of such purchaser, and the deficiency (if any) aris- 


ing from such re-sale shall be a charge against such purchaser. 


4. Delivery of any purchase will be made only upon pay- 
ment of the total amount due for all purchases at the sale. © 

Deliveries will be made on sales days between the hours of 
9 A. M. and 1 P. M., and on other days—except holidays— 
between the hours of 9 A. M. and 5 P. M. 

Delivery of any purchase will be made only at the American 
Art Galleries, or other place of sale, as the case may be, and only 
on presenting the bill of purchase. 

Delivery may be made, at the discretion of the Association, 


of any purchase during the session of the sale at which it was sold. 


5. Shipping, boxing or wrapping of purchases is a business 
in which the Association is in no wise engaged, and will not be 
performed by the Association for purchasers. The Association 
will, however, afford to purchasers every facility for employing 
at current and reasonable rates carriers and packers; doing so, 
however, without any assumption of responsibility on its part 
for the acts and charges of the parties engaged for such service. 

6. Storage of any purchase shall be at the sole risk of the 
purchaser. Title passes upon the fall of the auctioneer’s hammer, 
and thereafter, while the Association will exercise due caution in 
caring for and delivering such purchase, it will not hold itself 
responsible if such purchase be lost, stolen, damaged or destroyed. 

Storage charges will be made upon all purchases not removed 


within ten days from the date of the sale thereof. 


7. Guarantee is not made either by the owner or the Asso- 
ciation of the correctness of the description, genuineness or au- 
thenticity of any lot, and no sale will be set aside on account of 
any incorrectness, error of cataloguing, or any imperfection not 
noted. Every lot is on public exhibition one or more days prior 
to its sale, after which it is sold “as is” and without recourse. 

The Association exercises great care to catalogue every lot 
correctly, and will give consideration to the opinion of any trust- 
worthy expert to the effect that any lot has been incorrectly cata- 
logued, and, in its judgment, may either sell the lot as catalogued 
or make mention of the opinion of such expert, who thereby would 
become responsible for such damage as might result were his 


opinion without proper foundation. 


AMERICAN ART ASSOCIATION, 
American Art Galleries, 


Madison Square South. 


THE AMERICAN ART ASSOCIATION 


MANAGERS 
SALE AT THE AMERICAN ART GALLERIES 
Collection of 
MR. LOUIS GUERINEAU MYERS 
Afternoons of Thursday to Saturday (inclusive) 


February 24 to 26, 1921 


To save time and to prevent mistakes each Purchaser will 
oblige the Managers by filling in this slip and handing it 
to the Record Clerk or Sales Attendant on making the first 
purchase. 


Purchaser’s Name 
Address in Full 


Amount of Deposit 


FIRST AFTERNOON’S SALE 


THURSDAY, FEBRUARY 24, 1921 
AT THE AMERICAN ART GALLERIES 


BEGINNING AT 2 O CLOCK 


BATTERSEA ENAMELS OF THE EIGHTEENTH 
CENTURY 


1—Parr oF BarrerseEA EnamMet Mirror Kwnops 
Decorated with head of man wearing a flaring brimmed hat 
and a woman with lace cap. Period, late eighteenth cen- 
tury. 


2—Pair or Batrers—EA Enamet Mirror Knoss 
Decorated with head and shoulders of a woman wearing a 
large hat. In black and gray. Period, late eighteenth 
century. 


3—Batrersea ENamet Mirror Knos 
Seated figure of a girl with dog. Period, late eighteenth 
century. 


4—Parr or BatrrerseEA Enamet Mrrror Knorgs 


Landscapes painted in colors. Period, late eighteenth cen- 
tury. 


First Afternoon 


5—Parr oF BatrersEA ENAMEL Mirror Kwnors 


Decorated with head and shoulders of a girl with flowing 
hair, feeding an eagle. Period, late eighteenth century. 


6—BatTTersEA EnamMet Mirror Kno 
Gray-blue border. The center is of pink enamel on which is 
painted a black urn with raised white ornamentation. 
Period, late eighteenth century. 


Y—BatTrerRsEA Enamet Mirror Knops 


French gray enamel. Decorated with an urn. Period, late 
eighteenth century. 


S—BatTTrERsSEA EnAamMEL Patcuo Box 


Oblong form. The body is corrugated and covered with a 
French gray enamel. The cover is white enamel and deco- 
rated with a view’of Weymouth in purplish tones. Period, 
late eighteenth century. | 


9—BaTTERSEA ENAMEL PatcuH Box 


In the form of a bird, enameled in blue, green and yellow. 
The lid is of- white enamel, inscribed, “‘Always the same.” 
Period, late eighteenth century. 


10—BatTTrERsEA ENAMEL Patcuo Box 


Oval shape, with corrugated body in French gray enamel. 
Decorated with a female figure, leaning against an anchor. 
“We live in hope” is inscribed. Period, late eighteenth 
century. 


11—BatrersEA ENAMEL Patcu Box 
Round form. The body is slightly corrugated, covered with 
a white enamel and decorated with occasional floral sprays 
in dull red. The lid is ornamented with a landscape in vari- 
ous colors. Period, late eighteenth century. 


12—BatTrEersEA ENAMEL Historicat Parco Box 


Oval. The body is a rich dark blue enamel. The white 
enamel cover has a colored transfer picture of Paul Jones. 
Period, late eighteenth century. 


First Afternoon 


13—BatTrersEA EnamMet Historica, Patcu Box 


Oval shape. The body is a rich green enamel. On the cover 
is the head and bust of Major-General Gates. The flesh 
tones are natural, the stock white and the coat a drab blue 
with yellow trimmings. Exceedingly rare. Period, late 
eighteenth century. 


14—BarrersEA Enamet Patcu Box 
Oblong in form. A delicate canary yellow enamel covers the 
whole box. On the lid is the inscription, ‘‘Love the giver,” 
surrounded with a lacy scroll design. All executed in black 
enamel. Canary enamel is rare. Period, late eighteenth 
century. 


15—BatTrersEA Enamet Box 


Oblong in form, elaborately decorated on a white ground 
with painted views on the sides and flower sprays at the 
ends. All are enclosed in panels formed by raised gilt 
scrolls. The cover has a delicately tinted view of two fig- 
ures seated on a bank. A lake and distant landscape form 
the background. Period, late eighteenth century. 


16—Correr SnurF Box 
Oblong in form. The cover is ornamented with the head 
and bust of a man, painted on enamel, evidently a portrait. 
The white wig, ruffled stock, crimson and gold square col- 
lared coat all suggest an early period. Period, about 1760. 


EIGHTEENTH CENTURY CONTINENTAL 
PORCELAINS 


17—FvERSTENBERG CUP 


Floral decoration in colors. Mark: “F.” Late eighteenth 
century. 


18—Tovurnar Cup 
Floral decoration in underglaze blue. Mark: Crossed 
swords, with four crosses and numerals resembling 1780, 
which is about the period of its manufacture. 
Height, 214 inches. 


First Afternoon 


19—VENETIAN CuP 


Decoration in red and gold. Mark: Anchor. Cozzia period, 
late eighteenth century.. 


20—DreEespEN Cup AND SAUCER 


Flower decoration. Mark: Crossed swords. Late eight- 
eenth century. 


21—Earty Capo pit Monte Cur anp SAUCER 


Pink glaze, with painted decoration of peasant woman and 
children, palm trees, etc. Early mark of crude fleur-de-lis. 
Period, 1750. 


22—DreEspEN Cuina VasE 
Inverted pear shape with flaring rim, the whole resting on 
four scroll feet. Covered with a white glaze. The body is 
paneled and decorated with floral sprays in natural colors 
and fern-like reliefs in light blue glaze. Mark: Crossed 


Swords of the Marcolini period. 
Height, 614 inches. 


23—Crei_ PLATE 


Octagonal form, covered with a white glaze. Mark: ‘“‘Creil” 
impressed. Late eighteenth century. 


Diameter, 8 inches. 


: 


24—C1icNaAncourT PorcreLain Custarp Cup 
Bulbous shape and looped handle. Covered with a white 
glaze and decorated on body and cover with vines and ribbon 
designs in green, red and gold and dark blue. Factory 


mark of about 1780. 
Height, 3 inches. 


25—Earzty Minton Cup anp Saucer 


Covered with an ivory-white glaze and decorated with land- 
scapes and Oriental figures. Period, 1820. 


26—Crown Derzpy Cur anp SAUCER 


Finely painted with flowers in panels, somewhat in the Jap- 
anese manner. Mark: Crowned D, in red. Period, 1785. 


First Afternoon 


27—Tovurnar OvaL PuatE on SMALL PLATTER 


Ivory-white paste and glaze, under which is painted, in dark 
blue, sprays of flowers and insects. An embossed wave de- 
sign decorates the rim, which is fluted and finished with a 
narrow blue border. Mark: Crossed swords and four 
crosses, together with decorator’s initials in blue. Period, 
1780. 

Size, 81/4 by 614 inches. 

28—Tovurnat Rounp Puate 


From the same service as the foregoing, in this case not 
marked. Period, 1780. 


Diameter, 714, inches. 
29—Parr Oup Beruin VASsEs 


Urn-shaped, with circular foot on square base, and with 
elaborate covers. Invested with an ivory-white glaze. The 
body and foot are covered with a beautiful robin’s-egg blue 
glaze and further decorated with garlands of leaves in dull 
gold which are looped on the sides to suggest handles. On 
the front and back are oval reserves containing figures and 
landscapes in brilliant colors. The covers are pierced and 
decorated with the garlands of leaves in gold. Mark of the 
factory in blue. Period, about 1785. 


Extreme height, 11 inches. 


30—Wepewoop Cur anp SaucER AND CoFFEE Can 
Decorated, in alternating blue and white fan-shaped panels, 
with flowers and sprays in red, green, gold and pink in the 
Japanese manner. Mark: ‘‘Wedgwood.” Period, 1810. 


Note: Although the paste is very like porcelain in texture and 
appearance it is not true porcelain. 


31—CuHELSEA Tra Cup AND SAUCER 


Covered with an ivory-white glaze and decorated with bands 
of King’s blue, gold tracing and a graceful vine-like design 
in old rose and green tones. Both cup and saucer have im- 
pressed in the paste a petal-like pattern painted in the same 
deep blue and outlined in gold. Gold anchor mark. Period, 
1775. 


First Afternoon 


32—Set oF THree Miniature Rockrncuam VAsEs 
Flattened pear-shaped with flaring rim and foot. The body 
and cover are decorated with a rare apple-green glaze. Re- 
serves of white are filled with finely painted flowers in nat- 
ural colors. Period, 1835. 
Extreme height of large vase, 414 inches. 


Extreme height of two small vases, 314 inches. 


33—SaLoPian Cup anp SAvucER 
Fluted form with scalloped rim. Decorated in early willow 


pattern, transfer printed in underglaze blue, with gold bor- 
ders. Mark: “SS” in blue. Period, 1785. 


34—Savopian PickitE LEAF 


Underglaze transfer print of willow pattern in blue. Period, 


1780. 
314% by 3% inches. 


35—New Hartt Treaprot 
Quadrilateral body with indented sides and looped handle. 


Covered with a white glaze and ornamented with landscape 
and figures in bright colors in the Chinese manner. Period, 


1800. 
Height, 51% inches. 


36—CneEtsEA-Dersy Bourton Cup anp Saucer 
The cup is bell-shaped, with graceful looped handles. The 
saucer is deep, with moulded flaring rim. Covered with an 
ivory-white glaze and decorated with gold edges and gar- 
lands of flowers in green. Marked with the interlaced C and 


D. (Handle of cover has been repaired.) Period, 1775. 
Height, 4 inches. 


37—SALOPIAN Cappy TrRAy 


Oval scalloped form of the period, with the willow pat- 
tern transfer printed in underglaze blue, and with borders of 


gold. Mark: ‘S” in dark blue. Period, 1780. 
61, by 3% inches 


First Afternoon 


38—Crown Derspy PLate 


Covered with an ivory-white glaze and decorated with vines 


and scroll-like border in gold. Period, 1790. 


Diameter, 9 inches. 


39—LarRGE SWANSEA PLATE 


Covered with an ivory-white glaze. A diaper pattern is 
impressed in the paste over the whole surface of the plate. 
Sprays of flowers in natural colors ornament the rim and 
central medallion. Period, 1810. 


Diameter, 10 inches. 


40—CuetseEa Fruit Disu 


Deep dish on low foot with irregularly scalloped rim. Cov- 
ered with a white glaze and ornamented with sprays of 
grape leaves and fruit in relief and painted green, red and 
brown. Mark: Anchor in red. Period, 1760. 


Length, 10 inches; width, 8 inches. 


41—CuHELSEA GROUP 


“Psyche Punishing Cupid.” Gold anchor mark. (Re- 


paired.) Period, 1775. 
Height, 71% inches. 


42—-Pair Crown Dersy VASES 


Urn-shaped with flaring rim and circular foot. Covered 
with an ivory-white glaze. The foot, bowl and neck are 
decorated with a dark blue glaze and further ornamented 
with gold bands and scrolls. On the neck is a shield-like 
reserve containing a bunch of flowers painted in natural 
colors. The handles are twisted serpents, gilded. Period, 


1805. 
Height, 642 inches. 


First Afternoon 


POTTERY OF THE WEDGWOOD SCHOOL 


43—JasPER Ware Cup AnD SAUCER 
Relief decoration in white. Probably by Adams. Period, 
1775. 


44—Briack Basauttres TEAcuP 


Decorated with cupids at play in relief. Mark: “Wedg- 
wood.” Period, 1780. 


45—WEDGWOOD SAUCER 
Cane color with incised fluted decoration. Mark: ‘“‘Wedg- 
wood.” Period, 1780. 


46—Larce Werpcewoop Mue 


Body and handle of white biscuit with a beautiful eggshell 
finish. Around the edge is a Sheffield rim; below this, a 
narrow band of dark brown glaze. Wide flutings ornament 
the bottom of the mug, and above these are groups of figures 
and trees in relief. Period, 1800. Mark: *‘Wedgwood,” 


( Illustrated) Height, 6 inches. 


47—LarcE TurneER Ware TEApPOT 


2 Irregular octagonal form. White, with mythological scenes 
gi ee in panels in relief and fret borders. Hinged lid. A beau- 
L\ tiful piece. Period, about 1785. Height, 61, inches. 


( Illustrated) 


48—HeERcULANEUM PircHEeR oF Wuite Biscuit 


Oval, curved floriated spout and angular handle. The neck 
4 is covered with a fine horizontal reeding. ‘The junction of 
= the neck and body is enriched with a border of vine and 
fruit. The central portion is covered with trees and figures 
in high relief, the decoration at the front depicting a drink- 
ing scene, and in the rear, Amorini at play. Below is a beau- 
tifully modeled border of acanthus leaves. In fine condition. 
Mark: ‘*Herculaneum,” impressed. Period, about 1805. 


( Illustrated) Height, 9 inches. 


49—HerrcuLaNneuM Pircuer or Wuitet Biscuit 


Very similar to the foregoing, but smaller. 
Height, 7 inches. 


No. 46—Larcrt Wepawoop Muea ; 


No. 47—Larcre Turner WarE TEAPOT 


No. 48—Hercutaneum Pitcuer or Wuite Biscuit 


First Afternoon 


50—CastLEForD WARE Sucar Bowu 


_ Oblong, panelled body, with leaf-shaped handles. Covered 

, 27 with awhite glaze. The panels are outlined with a dark blue 

op line and the American eagle is in relief on one side. Period, 
1810. 


Extreme height, 6 inches. 
51—Ripeway Ware Juc 


Globular body with long cylindrical neck, pewter cover and 
looped handle. Dark blue ground with relief pattern in 
white. Period, 1840. 
Height, 8 inches. 
52—Mericu Ware PitrcHer 
Antes Corrugated, pear-shaped body with indented rim, round 
t | ) spout and looped handle. The soft eggshell finish, gray- 
blue color and applied white design suggest the Wedgwood 
ware. Period, 1835. (Defective as to the rim.) 
| Height, 6 inches. 
53—Wepewoop TErapot anp Tray 
Boat-shaped body with curved spout and looped handle. 
Covered with an ivory-white glaze and decorated on tray, 
9,9 teapot and cover with the Chinese “Dog Foo” in various 
attitudes. The rich green used in the pattern is very 
effective, while gold bands and a delicate leafy design on 
the spout make a pleasing contrast. Period, 1805. 
Note: As Wedgwood porcelain was made but a short time early 


in the nineteenth century, it is now rarely found. Unlike a previously 
described cup and saucer, this is true soft-paste porcelain. 


~ 
©) 54—Brack Basattes TEapor 


f \ Oval form without foot. Decoration of Flaxman’s *“Danc- 
: ing Hours” in relief. Mark: “Wedgwood.” Period, 1780. 
55—Buacx Basautres VasE sy J. NEALE 


A rare and beautiful urn-shaped vase decorated with gar- 

lands of bell flowers and acanthus leaves. Rudimentary 

& / handles in the form of female heads. Neale worked alone 

5 v only from 1776 to 1778, so this piece must have been pro- 
duced during those years. Mark: “J. Neale, Hanley.” 


Height, 101% inches. 


First Afternoon 


ENGLISH SOFT-PASTE PORCELAIN 
By Josiah Spode, 2nd. 


56—Sropr Cur anp SAvucEr ae oe 
Decorated in the so-called Hizen colorings and gilt. Mark: / i 
“Spode” in red. Period, early nineteenth century. 

57—SPpovE SAUCER ae 
All-over decoration in gold. Mark: “Spode” in red. Period, is 
early nineteenth century. 

Diameter, 544 inches. 

58—Spopvr Sauce Boat, Cover anv Tray 
Around the rim of each piece is a broad band of rich blue 
which is imposed upon an incised basket pattern. These 67 
bands are broken into panels by longitudinal and trans- | he re 


verse borders of gilt. The white reserves are beautifully |} j 
decorated with flowers painted in naturalistic colors. ‘The — 
gilded handles to boat and cover are in the form of conven- 
tionalized dolphins. (The tray has been mended.) Mark: 


“Spode,” in red. Period, early nineteenth century. 


Length of tray, 91% inches; of boat, exclusive of handles, 6 inches. 


59—Larce SpopE PiatTrer 
The wide rim of this piece is decorated in light blue, broken 
by sprays of flowers in white relief. In the center is a large - 
floral design. <A set similarly decorated is at the Smith- 9 0 
sonian Institute at Washington. It is stated there that 
the original owner was George Washington. Mark: 
“Spode,” in red. Period, early nineteenth century. 


Length, 20 inches ; width, 1534 inches. 


60—PuLaTtE 


Similar to the foregoing and probably from the same set. _ 
Mark: “Spode,” in red. / 


Diameter, 81%, inches. 


First Afternoon 


61—REMARKABLE SPODE VASE 


This beautiful specimen is somewhat in the form of an in- 
verted bell, which rests on a circular foot. The underglaze 
decoration is a royal blue ground, which is broken by one 
large and three small reserves. The blue ground is covered 

ae 7 1 | 

(4 ) by a scale pattern in gold, while the reserves, lip and foot 

F have gold borders. Within the large reserve is painted a 
landscape with an exotic bird in brilliant colors in the fore- 
ground. Within the small reserves are butterflies. Mark: 
“Spode,” in red. Period, early nineteenth century. 


Height, 8% inches. 
(Illustrated) 


62—Parr oF SpopE PiITcHERS WITH Rare DECORATION 


Globular body, cylindrical neck and conventional spout and 
ra ZG, handle. Around the body is a broad band of brown with an 
oem wp oi orange-peel surface. This band is decorated with applied 
designs of children at play, birds and insects, in ivory-white 
glaze. Mark: “Spode,” in red. Period, early nineteenth 

century. 
Height, 6 inches. 

(Illustrated) 


62 62 


No. 61—REMARKABLE SPODE VASE 


No. 62—Pair or Spope Pircuers with Rare DEcoRATION 


First Afternoon 


63—Set or THREE SpopE VAsEs 
Pear-shaped bodies with cylindrical necks, wide spreading 
rims, circular bases and graceful handles. Decorated with 
many varieties of flowers and leaves in high relief in the 
Dresden manner, with two well-modeled birds perched among 
/ the foliage. The rims and feet are gilded. This is a very 
4D rare product of the Spode factory. The writer has never 
‘| seen similar specimens. Mark: “Spode,” in gilt. Period, 
early nineteenth century. (Slight repair to one handle.) 


Height of center vase, 7 inches; of side vases, 5 inches. 


(Illustrated) 


WORCESTER SOFT-PASTE PORCELAIN 
(Period, 1755-1775) 


f 64—Curp anv SAUCER 


Late Worcester porcelain. Black transfer decoration. 


65—LarcEe WorcEsTER CuP AND SAUCER OF THE Watt PERIOD 


Rare decoration of drapery in green enamel and fringe in 
gold. 


<> 66—WorcEsTER BuuE anp Wuitre Cup anp SAUCER OF THE 


Watt PERIop 


Small cup without handle. Decorated with floral sprays 
and borders painted in underglaze blue. Crescent mark in 


blue. 


67—-Parr Worcester Cups AND SAUCERS OF THE WALL PERIOD 


; / Decorated, on a white ground, with a fish scale pattern in 


} V dark blue. In white reserves are fanciful birds and insects 
painted in colors. Square mark. 


: SASVA AdOdg GqauH [T, 10 LAS—€9 ‘ON 


First Afternoon 


» 68—WorcrstEer Cup or THE Watt PErtop 
} Beautifully decorated in the Chinese manner with flowers 
in pinks, purples and greens. A diapered border of purple 


surrounds the lip. A rare little specimen. 


Say ee 


69—WorcestErR Cup or THE Watt PERIOD 
Fluted cylindrical form, decorated with blue and gilt bor- 
‘g / ders and panels of landscape, fruit and foliage. A gilded 
|» metal. stand accompanies this specimen, which is worth 
treasuring because of its rare form of decoration. Mark: 


Crescent, in blue. 
Height, 214 inches. 


7TO—W orcESTER CuP AND SAUCER OF THE Watt PERIOD 


A) Fluted, with scalloped rims. The chief decoration consists 
~) of a broad meander border of apple-green, which in turn 
is bordered on the inner side with gold scrolls. The white 
reserves are decorated with sprays of flowers. A rare speci- 
men. (Cup has slight repair at rim.) 


71—WorcestTER Cup AnD SAucER oF THE Watt PeERiop 
<A) Decorated with a Japanese pattern of broad radiating bands 
A of blue on which are chrysanthemum rosettes of white re- 
\4 serves on red grounds. Alternating bands of white reserves 
; are painted with flowers. Square mark. 


72—W orcEsTER CrEAM PiTcCHER OF THE Watt PERIopD 
S Curious hexagonal shape, broken by the projecting mouth. 
i) The decoration of Chinese landscape and figure is partly 
\ carved in the paste and painted in brilliant enamel colors. 


Scrolled handle. A rare little bit. 
Height, 21% inches. 


73—WorcEsTER CREAM PITCHER OF THE Watt PeERtIop 


sl Decorated with Chinese figures in enamel colors. Not 
| My f marked, but an indisputable piece of early Worcester. 


Height, 3%4, inches. 


First Afternoon 


74—W orcESTER LEAF-SHAPED CAKE DisH oF THE WALL PERIOD 


i 


Decorated on a white ground with a fish scale pattern in 
blue, with reserves in white, bordered by gold scrolls, in 
which are painted exotic birds and butterflies. Square mark 
in blue. 101% by 8 inches. 


WorRcESTER BLUE ano Wuitrr Muve or THE Watty PERIOD 


Decorated with branches, flowers, etc., painted in underglaze 
blue. Conventional borders of blue on inside of lip. Molded 
ear-shaped handle. (Workman’s mark. Listed in Chaf- 


fers. ) Height, 4°, inches. 


76—WorcESTER Trarpot Tray oF THE WALL PERIOD 


Chinese decoration in red, blue and greens. Square mark of 
the period. Diameter, 6 inches. 


T7—WoRcCESTER BLUE AND WuitE Traprpot oF THE WALL 


PERIOD 


Barrel-shaped, with longitudinal ribbing, looped handle and 
ribbed curved spout, decorated with the early Willow Pat- 
tern in blue under the glaze. Height, 6 inches. 


First Afternoon 


78 79 


78—WorcEsTER Bowu oF THE Watt PERIOD 


Decorated, on a white ground, with a fish scale pattern in 
Chee dark blue, broken by reserves in white. Within these are 
ie fanciful birds and butterflies painted in colors. Square 


mark in blue. 
Diameter, 61% inches; height, 3 inches. 


79—WorcesterR Bowt or tHE Watt Periop 
Decorated in imitation of an early Chinese piece in enamel 
ly ) colors of red, green and blue. The mark consists of pseudo- 
Chinese characters within two circles in blue. 


Diameter, 61 inches; height, 31% inches. 


80—WorcEsTER Cappy Tray oF THE Wari. PERIOD 


“y Elongated scalloped form, decorated, on a white ground, 
, 2» with a fish scale pattern in dark blue. White reserves are 
h'\°— oceupied by flowers painted in colors. Crescent mark in 


A, blue. 
6 by 3% inches 


First Afternoon 


81—WorcesterR BLvuE ann Waite Sauce Boat or THE WaLL K-7 
PERIOD a 


Raised decoration of flowers, etc., on sides, which enclose 
flower sprays printed in blue. 


Length without hande, 7 inches; width, 31, inches. 


82—WorkcEsTER SMALL PLATTER oF THE Watt PeERIopD SZ 


Finely decorated with Chinese emblems in blues, reds and 
greens in four divisions which surround a central conven- 
tionalized flower figure. The border is a diaper pattern, 


broken by reserves. 
Length, 7 inches; width, 5 inches. 


83—WorcEsTER BLUE anp WuitrEte CHocouaTE PotT oF THE —D 
Watu PeERIop <F 4 


An incised lattice design covers the whole surface, excepting | i 
about a quarter of an inch at the top, and a reserve on 
either side, which is enclosed by borders composed of scrolls 
in relief. Over this lattice a flowering vine (also in relief) 
falls. The spout is decorated with leaves, vines and lattice 
work, and the handle is scrolled. Within the reserves are 
trees and flowers painted in underglaze blue. 
Height, 744 inches. 


84—CHAMBERLAIN WorcEsTER DessERtT SET 


Set comprises one large fruit dish on high foot, two rec- L0 ae 
tangular cake dishes, two oval cake dishes and ten plates. é 

All have irregular and roped edging. Each piece has a 

wide cream-colored border on which numerous sprays of 

flowers are painted in colors. <A beautiful set, made about 

1815. Mark: “Chamberlains,” impressed. 


First Afternoon 


85—WorcesTER Lustre TEA SET 

Comprising teapot, sugar bowl, cream pitcher, twelve cups 
Pf a and ten saucers. The paste is of fine quality and although 
[) 3 not marked was undoubtedly made at the Worcester factory 
/ about 1820. The decoration consists of a wreath of ivy 
about three-quarters of an inch wide, beneath a solid border 
at the rim, and above a line about the middle of each piece— 

all in pink lustre. 


LIVERPOOL POTTERY 


Made at the Herculaneum Factory in Liverpool, England, during 
the Last Years of the Eighteenth Century 


A86—Liverroot Mue 


i Cylindrical shape, with looped handle. Decorated with an 
\‘ English frigate in black transfer. : ; 
Height, 6 inches. 


87—Liverroot Masonic PircHer 


Barrel-shaped body, curved spout and loop handle. Dec- 
\Y orated with the usual Masonic emblems in black transfer. 
The name of the original owner, “Solomon Clarkson,” 


appears on the front. Period, 1800. 
Height, 9°4 inches. 


S88—LarcEt Liverroou PITCHER 


Barrel-shaped body and usual spout and handle. On one 

side is a black print symbolic of the success of the Colonies 

f Ws and the return of peace. Above the national arms in a 

‘ ) circle (in which is the legend, ‘‘Peace, plenty and independ- 

ence”) rises a mounted cannon, upon which perches a large 

eagle, screaming his lustiest. On the opposite side is an 
English sloop of war in black. Period, 1790. 


Height, 11 inches. 


First Afternoon 


89—Liverroot Wasntinetron Porrrait PircHER 


On one side is a portrait of Washington, inscribed, ‘He 
in glory, America in Tears.” On the other the French 
frigate L’Insurgent striking her colors to the American 
frigate Constellation, with inscription. On the front are 
the arms of the United States and in oval, “A man with- 
out example, etc.” On back, “Success to infant Navy of 


America.” Period, 1800. 
Height, 101% inches. 


90—RarE Marken Liverroou PIrcHER 


In the usual form and decorated with black transfers. On 
one side is a “Plan of the City of Washington” upheld by 
two female figures. On the other side is an American 
merchant vessel, and in front are the national arms. Period, 


1798. Mark: “Herculaneum,” impressed. 
Height, 91% inches. 


First Afternoon 


ENGLISH SALT GLAZE WARE OF THE 
EIGHTEENTH CENTURY 


91—CotorED Satt GuazE Sauce Boat 


4  Boat-shaped, with curved spout and looped handle. The 
back and spout are paneled with sprays of flowers on a 
/ cream ground, rimmed with a red line. The sides have 
bunches of fruit and leaves in relief on a paneled background 
of dull green. (Repaired.) Period, mid-eighteenth cen- 


tury. 
Height, 2, inches. 
(Illustrated) 


92—Cotorep Satt GuazE Ewer-sHaPrep Juc 
<°, Flaring lip, pointed spout and delicate looped handle. Dec- 
/,9,,  orated with floral design in beautiful tones of rose, blue and 
oe green. An unusual specimen. (Repaired.) Period, mid- 


eighteenth century. 
Height, 314, inches 
(Illustrated) 


93—CoLoRED Sar GuazE Muc 


Cylindrical shape, with looped handle. The edge has a red 
ys wave line border. The body is decorated in a graceful floral 
32 design in rich red, green, yellow and blue. Period, mid- 


eighteenth century. 
Height, 4 inches, 
(Illustrated) 


94—CotorepD Satt GuazE Tra Cappy 


Rectangular form with chamfered corners. The cream-col- 
ay, ored ground is decorated with landscape and sprays of con- 
ventionalized flowers in variegated colors in the Chinese 


manner. Period, mid-eighteenth century. 
Height, 5 inches. 


(Illustrated) 


94 


Cotorep Satt GuazeE Sauce Boat, Juc, Mua anp Trea Cappy 


First Afternoon 


95—WuitTE Satt Guiaze Burrer Boat anp Tray 
Pe Oval in form, the bowl with straight handles. Covered with 
) a basket and scroll design impressed in the paste. Period, 
mid-eighteenth century. 
Tray: Length, 6 inches; width, 5 inches. 
Boat: Length, 4 inches; height, 2 inches, 


Pad) 

ng, ~ 96—Coxorep Sarr GuazeE TEapor 
a oY Globular body with rustic handle and spout. Delicate scat- 
=o 8 \ tered sprays of flowers in realistic colors decorate the body 

and cover. Period, mid-eighteenth centry. 

Height, 41% inches. 

97—CoLorED Satt GuazE TEApor 
Da Globular body with graceful curved spout and looped 
S/ handle. The body is decorated in soft enamel tones, on one 
OY side with a basket containing a conventionalized bouquet of 


+ flowers, on the other with a rose bush and tree. The spout 
is finely reeded and further ornamented with sprays of flow- 
ers in relief. Has silver cover. Period, mid-eighteenth cen- 
tury. 

Height, 4 inches. 


98—Sattr GuazE Lovine Cur or ScratcH Buiusr Tyre 


/ Inverted bell-shaped body with looped handles and circular 
d, 0 foot. The body is decorated on both sides with the letters 
7 “H. H.,” surrounded by a conventionalized flower scroll. 


Period, mid-eighteenth century. 
Height, 5% inches. 


First Afternoon 


99—Whuirr Sart Graze Burrer Boat anp Cover 
Oblong body, with straight handles. Covered with a basket 
and scroll design impressed in the paste. The cover is fur- 
ther decorated with perforated squares and is surmounted 
by the figure of a cow. Period, mid-eighteenth century. 


Length, 5 inches; extreme height, 31% inches. 


100—WuirtE Sart Graze Sauce Boar 
Boat-shaped, with round spout and looped handle. <A basket 
and scroll design is impressed in the paste. Period, mid- 


eighteenth century. 
Length, 6% inches; height, 21% inches. 


LOWESTOFT PORCELAIN 


101—Lowestorr TEACUP AND SAUCER ie 
Floral decoration. Eighteenth century. 2 


102—Lowestorr TEAcuP AND SAUCER 
A wide blue band encircles the rims on the inner sides, while 
a wreath and bouquet ornaments the cup on one side and 
the saucer in the center. Eighteenth century. 


103—Lowestorr Coverep Custarp Cup 
Pineapple-shaped, and body and cover decorated with an 
incised pattern intended to resemble the skin of the pine- 
apple. The sides have floral sprays in gilt and the top and 
the cover are handsomely bordered in gilt. 


104—Lowestorr Cup AND SAUCER 
Decorated with landscapes in medallions, and with borders 
and festoons, in the European manner; all in a peculiar 


grayish blue and gold. 


[es 


oh a 


First Afternoon 


105—Lowestorr TEaApot AND CovER 
\0 “Decoration in grayish black of Chinese subject of uncertain 
character. Eighteenth century. Height, 41/,. inches. 


106—Lowestorr Smautt LapLe 
y / The inside of the bowl has a blue band at top, while at the 
4 m4 bottom is a decorated shield in blue and gold containing 


initials. Eighteenth century. 
Length, 714 inches. 


10%7—Lowestorr Heimer PircHer anp Tray 
©" Floral decoration in pink. Rustic handle. Eighteenth 


@) ; v century. Height of pitcher, 5% inches. 


108—Lowestorr ArmMoriaAL TEAPOT 

_ Globular body, loop handle and straight spout. Around the 
Sy top is a border of bamboo, broken by bouquets of flowers. 
aoe ay “On each side are the arms and crest of the Lancaster and 
4 Gower families, done in enamels and gilt. The cover is dec- 
orated with a border similar to the one on the body. A 

beautiful specimen. Eighteenth century. 
Height to knob of cover, 6 inches. 


First Afternoon 


109—Lowestorr ArmoriAL Cup 
From the same set as the foregoing and similarly decorated. 
Eighteenth century. 

110—Lowestorr ArMorIAL Sucar Bown 


The heraldic device appears on two sides and is painted in 
enamel colors. The top and bowl have wide borders of roses 
and vines in the form of garlands. Eighteenth century. 


Height, 514 inches. 
111—Lowestorr Puate or European Form 
Profuse floral decorations of English character. Eighteenth 


century. Diameter, 1014 inches. 


112—REMARKABLE LoweEstTorr Ewrr 


The body is of tall helmet form and rests upon a bell-shaped 
foot. The outer and inner edges of the lip have broad bor- 
ders of intricate design combining wave and floral motives 
in greens, reds, gilt, etc. The body is profusely decorated 
with a variety of flowers, notably a large chrysanthemum, in 
beautiful shades of red, pinks and greens. Running from 
the top of the base, well up the sides of the body are chrysan- 
themum petals, partly in high relief and enamelled in deep 
rose. The foot is decorated with floral sprays and gilt bor- 
ders. Altogether a rare example. Eighteenth century. 


Height, 914 inches. 


First Afternoon 


113—Earty Lowesrorr Traror 
Globular body with floral decoration. Eighteenth century. 


Height, 91/4, inches. 


114—Lowestorr Masonic BArrEL-SHAPED PITCHER 


This remarkable piece is profusely decorated with Masonic 
pm / emblems in gold and colors. At the front is a large medal- 
\V lion containing the figure of a woman leaning against a 
monument and holding in her hands emblems in miniature. 
Above the medallion appear the names of the original own- 
ers, M. and P. Dungan. There are conventional borders at 
top and bottom. The intertwined handle is decorated with 
flowers and foliage where it meets the body of jug. Eight- 


eenth century. 
Height, 10 inches. 


First Afternoon 


115—Parer or Rare Lowestorr Marriace PLates 


The center of each plate is occupied by two oval medallions 
connected by a blue ribbon tied in bowknots and suspended 
from a ring. One medallion encloses two sets of initials 
intertwined and surmounted by a coronet. The other is 
occupied by a heart in red, pierced by two gilt arrows, to- 
gether with a similar coronet. The rims of the plates are 
decorated with ribbon borders in rose and green, from which 
depend garlands of roses. Eighteenth century. 


Diameter, 934 inches. 
116—Part or Lowerstorr Trea Ser 


Teapot cover and tray, tea caddy and cover, water jug and 
cover, three coffee-cups, two teacups and three saucers—fif- 
teen pieces in all, counting covers. Slight floral decoration 
and conventional borders. Eighteenth century. 


CHINESE PORCELAINS WITH EUROPEAN 
CHARACTERISTICS 


eye 
117—Cuinest Teapot anp Sucar Bown O 


The hundred butterfly design. Period, about 1820. — 


118—Tera Set or CwH’IEN-LUNG PoRCELAIN 


This set is in the conventional English form of the period 
and was undoubtedly designed in that country. The dec- 
oration is Chinese, however, in form and character, con- 
sisting of figures in beautiful enamel colors and gilding. 
The porcelain is very fine and thin, particularly the cups 
and bowls. There are twenty-three pieces in all, counting 
covers, as follows: Teapot, cover and tray, cream or water 
pitcher, cover and tray, tea caddy and cover, one covered 
bowl, one bowl without cover and six cups and saucers. 
Period, about 1770. 


119—Parr or Ourp Nanktn Coverep DisHEs 


Willow pattern in blue. Intertwined handles at either end, 
and knob to cover in form of artichoke. Nineteenth century. 


Length, 121%, inches. 


First Afternoon 


EIGHTEENTH CENTURY ENGLISH POTTERY OF 
THE WHIELDON SCHOOL 


A 
5 / 120—Wnareivon Ficure or a Berar 
di Standing on a grassy mound. Covered with a gray glaze. 
Period, 1790. 
ZZ , 121—Wautetpon Ficure 
arog Bird, resting on a stump. Green and white glazes. Period, 
. 1760. 


s 122—Wu1ELpon Ficure or Aa Boy 


ne 


7g Carrying bird’s nest and leaning against a stump. Blue and 
| ‘} yellow glazes. Period, 1760. 


123—WhuiteLpon Ficurr or a Boy 


Seated on a stump and leaning against a barrel. Brown, 


| ) a white and green glazes. Period, 1770. 
124—Wut1eLpon Ficurr or a Boy 
VY Standing and leaning against a stump. Green, brown, tan 
A : : J 
vi and white. - Period, 1770. 


125—WhuiI1ELpon Ficure or A Fox 


1 “i Seated on a rock. Brown and white glazes. Period, 1760. 


126—Wutetpon Ficurre or A Monkey 
i Covered with a tan glaze. Period, 1780. 


b 
| 
127—-WHIELDON STATUETTE 


b vas Horse on stand. Decorated in mottled brownish glaze. Late 
Qy period, 1800. 


128—Wut1eLpon Torrolse-sHELL Muc 


iv Cylindrical form with flaring rim and looped handle. Cov- 
ered with a mottled tan and brown glaze. Period, 1775. 


Height, 21%, inches. 


First Afternoon 


129—Pair SmMatt WHIELDON TorRTOISE-SHELL CuPS AND SAUCERS 


Covered with a mottled tan and brown glaze with splashes 
of green on both cup and saucer. Period, 1770. 


130—WHIELDON ToRTOISE-SHELL Bown 


Covered with a mottled brown and yellow glaze with occa- 
sional splashes of green glaze. Period, 1775. 


Diameter, 41% inches. 


1381—Earty Wuiretpon TEapor 

Globular body, embossed curved spout and loop handle. Of 
typical Whieldon paste, but decorated with a pastoral 
scene on one side and clandestine lovers on the other, both 
in black transfer. The engraving is remarkably well done; 
much superior to the sketchy designs found on later pieces. 
It is interesting to note that the chairs upon which two of 
the figures are seated are of Queen Anne design. Period, 
1760. 


Height, 5 inches. 


182—WuieLtpon CAULIFLOWER CREAM JUG 
Pear-shaped body and looped handle. Period, 1775. 
(Spout repaired.) 


Height, 5 inches. 


First Afternoon 


133—Wutevpvon TrEeapor 
Body in the form of an inverted pear; covered with a cream 


fF glaze and decorated in relief and colors to represent a 
a basket holding fruit, melons, foliage, etc., in great profusion. 


vt The same motive appears on the lid. The curved spout has 
a leaf design at the base. A beautiful and practically per- 


fect specimen. Period, 1775. 
Height, 5 inches. 


1384—SmaLut Wuievpon TEAPotT 


clay Globular body with looped handle covered with a creamy 
o OD glaze and decorated with splashes of green, brown and gray. 


ae Period, 1785. 
Height, 4 inches. 


1385—WHuIELDON CrEAM JUG 


Pear-shaped body with a cream glaze. A basket-work design 
/ surrounds the lower section, and from this, in panels, spring 
fruits and foliage in high relief, colored in greens, browns 
and yellow. (The loop handle is a restoration.) Period, 
1775. 

Height, 41% inches. 


1386—Wutetpon Tra Cappy 


Z Rectangular form, with decoration similar to the preceding. 
h ‘ Period, 1775. ' 
Height, 4%, inches. 


First Afternoon 


137—WHIELDON CAULIFLOWER TEAPOT 


Globular body, curved spout and loop handle. Fine glaze 


and modeling. Period, 1775. 
Height, 4 inches. 


188—WuiELDon “PINEAPPLE” 'TEAPOT 
Globular body, curved spout and loop handle. ‘The body is 
covered with a cage-like design, broken by panels on either 
side in which is a large pineapple plant and fruit rising 
from a basket, all in relief and decorated in green, brown and 


cream colors. Period, 1770. 
Height, 4% inches. 


189—WhuiELpon TorTOIsE-SHELL ‘TEAPOT 
Early globular form with rustic handle and spout; covered 
with a mottled brown glaze. An applied decoration of a 
figure surrounded by vines and fruit appears on either side. 


Period, 1770. (Spout repaired. ) 
Height, 5% inches. 


140—WuteLpon Earty Comspep Warr Muc 


Cylindrical form with loop handles. Decorated with a 
marbled glaze in tan, brown and black. Period, 1760. 


Height, 5 inches. 


30 


ci Sad 


Ud 


First Afternoon 


141—Wu1ELpon TorTOIsSE-SHELL Mue 


Ad Cylindrical form with looped handle. Covered with a tan 

V) » glaze. The body is decorated with a rich brown glaze 

4 mottled with black, on which are applied three convention- 
alized daisies in a green glaze. Period, 1780. 


Height, 61%, inches. 


142—WHuI1ELDoN ‘TorTOISE-SHELL 'EAPOT 


~ Flattened globular body, rustic spout and handle and paw 
»/ feet. The cream-colored glaze is covered by a mottling in 
Nv brown. A vine and fruit design in relief further decorates 


the body and cover. Period, 1780. 


t 


Height, 51%, inches. 


143—WHIELDON ToRTOISE-SHELL T'RAPOT 


2) Globular body, curved spout and rustic handle. Mottled 
\"\" with brown on a cream glaze, with occasional splashes of 


green. Period, 1750. 
: Height, 514, inches. 


144—Wut1erELpon HrxaconaL TEAPOT 


The six panels have Chinese scenes in relief, decorated with 
1%) colored glazes with green predominating. ‘The handle is 
ly ® scrolled. The cover has a grotesque finial. Period, 1770. 


Height, 614 inches. 


145—Larce WuiELpon TorTOIsE-SHELL CREAM PITCHER 


Bulbous body, cylindrical neck, pointed spout and rustic 
v handle. Rests on three paw feet. The jug is covered with a 
xe mottled tan and brown glaze with splashes of green. A 
i curious scroll design is impressed in the paste and further 


ornaments the body. Period, 1770. 
Height, 614 inches. 


First Afternoon 


146—WHIELDON CAULIFLOWER CHOCOLATE PoT 


Tall pear-shaped body, long curved spout and rustic handle. 
The coloring is particularly fine. Very rare in this form. 
Period, 1775. (Finial of cover has been restored.) 


Height to top of cover, 9 inches. 


147—WHIELDON TorRTOISE-SHELL SAucE Boat 


Boat-shaped with round spout and looped handle. The 
body is paneled and decorated.with a mottled glaze in yellow, 
tan, brown and rich green. Period, 1780. 


Extreme length, 734, inches. 


148—WHI1ELDON ToRTOISE-SHELL PLATE 


Moulded basket and diaper patterns on scalloped rim. 
Mottled in greens and brown. Period, 1780. 


Diameter, 714 inches. 


First Afternoon 


149—WHu1ELpDon’ TorTOISE-SHELL. PLATTER 


A very rare example of early Whieldon. The clouded effects 

«= 4 of soft grays, green and yellows are here so skillfully blended 

“A v that the effect is remarkably beautiful. Its form is an 
6 irregular oval, the rim having a rather elaborate roped 
edge. Period, 1760. (Repaired, as may be seen.) (Mounted 


in a Shadow box.) 
Length, 18 inches; breadth, 181% inches. 


150—Whui1eEvLpon TorroisE-SHELL PLATE 


A) Conventional form, decorated on a cream glaze with a 
S mottling in light brown and green. Period, 1775. 
4 
\ 
Diameter, 91 inches. 


First Afternoon 


151—WHIELDON CAULIFLOWER PLATTER 
Oval form and scalloped and beaded rim with conventional 
decoration in cream and dark green. This specimen is 
unique in the writer’s experience. Period, 1775. (Mounted 


in a shadow box.) 
Length, 14 inches; breadth, 11 inches. 


152—SHattow WuHuiewtpon TorToIsE-SHELL Bown 


Cream glaze with brown mottling and three large splashes 
of green, gray and yellow. Period, 1770. 


Diameter, 7 inches; height, 2 inches. 


ray 


First Afternoon 


153—WHIELDON SHELL-SHAPED AGATE TEAPOT 


Body composed of two scallop shells; curved dragon spout, 
dolphin handle and cover surmounted by a lion in the 
, Chinese manner. The variegated coloring is typical, being 
in soft grays, blues, browns and tans. A perfect specimen 
of this early type. Period, 1760. 
Height to top of cover, 5 inches. 


154—Wuretpon Torrtotse-sHELL Piate 
Cream glaze, mottled with grays, browns and green. Period, 


| 17°70. 
‘ Diameter, 9 inches. 


155—WHuIELpDoN TorRTOISE-SHELL PLATE 


A) Usual form, with cream glaze mottled with brown, green and 
a blue. In splashing the back of the rim with the brown pig- 

o ) : mee : 
7 ment the decorator amused himself by outlining his name 
<\ at i e (probably) and occupation. These seem to read “G. Cain” 
La “Potter.” Across the center of the back is a still more 


indistinct name, which a vivid imagination might translate 
into “Whieldon.” Period, 1775. 


Diameter, 9 inches. 


Diameter, 9 inches. 


= 


156—WuIELpon TorRTOISE-SHELL PLATE 
> Diapered border and scalloped rim, greenish gray with 
irregular reserves of cream color. Period, 1780. 


— 


— 


First Afternoon 


157—Rare Wuretpon TorrotsE-sHELL TuREEN 
Oval form, on three feet, each composed of a lion’s head and 
foot. The body and lid are covered by a moulded basket and 
diaper pattern. The handles are in the form of vines finished 
by large leaves in relief. The exterior is covered by a beau- 
tifully blended mottling of early colored glazes in greens, 
grays and browns. The interior has the cream-colored 
glaze of the period. An early and possibly unique specimen. 


Period, 1'765. 


Length, 111% inches; width, 8% inches; height, 9 inches. 


158—Parr MantTEeEL ORNAMENTS 
Whieldon style. Three children rest on a flowery bank, each 
blowing a trumpet. The whole rests a high foot. (Dam- 


aged.) 
Height, 61% inches. 


159—RatpeH Woop, JR., FicurE 


Seated figure of a cobbler mending a shoe, resting on a 
square base. Colored purple, gray and black. Period, 
1780. 


First Afternoon 


160—SraTuETTE BY RatpH Woop 
Subject: “The Lost Sheep.” Decorated in the beautiful 
colored glazes of the early period. The coat is ivory in 
“ color, the waistcoat is yellow, the breeches gray and the 
Vv hat and shoes brown. The rococo base is colored green and 
greenish gray. The sheep is white. Period, 1760. 
Height, 81% inches. 


161—RatreH Woop Ficurr or BrirANNIA 


Conventional helmeted and mailed figure of a woman in 

€ a flowing robes. The colored glazes are here used as in all 
v + early specimens. The robe is light blue, faced with green. 
In the left hand is a mask. The well-modelled owl in light 
brown perches on a rococo base. The right hand is extended 
to support a trident, which is missing. (Slight repair to 
fingers of right hand.) Period, 1760. Height, 12 inches. 


162—RatutrH Woop, Jr., Tony Jue 


Finely modelled seated figure of a man, in eighteenth cen- 

tury costume, holding a jug. The coat is a beautiful shade 

¢ of blue,’ the breeches and waistcoat yellow and the hat 
"| brown. ‘The mottled base has the word “Toby” painted on 
the front, an exceedingly rare feature. The color and glaze 

are of the early period. For color and character this piece 

is practically unique. (Slight repair to hat.) Period, 

1780. Height, 91% inches. 


163—RatreyH Woop, Jr., STATUETTE OF Dr. FRANKLIN 


The figure is posed in oratorical position standing with one 
y hand outstretched and the other clasping a book. The coat 
is covered with a rich blue glaze, the breeches have a yellow 
) ground with a gold sprig pattern. White stockings, black 
| shoes and a white cloak lined with a deep rose, thrown over 
the shoulders, complete the costume. A pedestal marked 
“Dr. Franklin” supports the figure. Early colors and 

glaze. Period, 1785. (Slight repair to hand.) 


Extreme height, 1314, inches. 


1638 161 


STATUETTES AND PiTcHER BY RALPH Woop 


First Afternoon 


164—RatrH Woop StTaTuEtTE 
id) Subject: “The Lost Sheep.” Another example of precisely 
aye the same model as No. 160. In this case the coat is greenish 
4 v gray, the waistcoat white and breeches green. Otherwise 
| the coloring is similar to the above. (The base has been 
repaired.) Period, 1760. 


165—RatreH Woop StTATuETTE 


_ Subject: “The Lost Coin.” This is of the same series as the 
ey foregoing examples. The coloring here is mostly a beau- 
tiful green, with white, yellow and gray. (The left arm is 

restored.) Period, 1760. 


166—RautrepH Woop Ficure or a Ram 


“ / lying on a grassy mound. Covered with a mottled white, 
q.” green and yellow glaze. Period, 1770. 


EARLY AMERICAN POTTERY 


167—SmatuL Hovunv-HANDLED~ PITCHER 
A Pear-shaped body, indented rim, round spout. Deep yellow 


5 glaze splashed with dark green. Decorated in relief with 
J frightened deer pursued by a dog. Probably Bennington. 
Period, about 1845. 


Height, 5 inches. 


168—Porrery Fruit Disu 


. Covered with a rich yellow glaze and ornamented with 
4 4 - sprays of acorns and flowers in relief. Period, about 1840. 


9 inches by 71% inches. 
169—Bennincton Botrrrue 


hat, and carrying a mug. Covered with a mottled brown 


S ii In the form of a man wearing a cape-like coat with large 
by 
| and tan glaze. Period, 1847. 


Height, 101% inches. 


First Afternoon 


170—Larcet Jersey Ciry Potrrery PITCHER 


Bulbous body, cylindrical neck, curved spout and looped 
handle. Covered with a very thin ivory glaze. Around the 
body is a hunting scene with trees, dogs, horses and men, in 
relief. On the foot is impressed, ‘‘Henderson’s Flint Stone 
Ware Factory, Jersey City.” Period, about 1820. Very 


rare. 
Height, 734, inches. 


171—American Wuirr Porcenain PITCHER 


Uneven cylindrical body with merely a suggestion of a neck, 
the broad spout and looped handle rising high above the rim. 
The body is completely covered with a moulded decoration of 
ripening corn. This pitcher and the following number were 
made at the Jersey City Pottery Company, about 1845. The 
paste has a very soft appearance, but is found to be quite 
hard when tested with a file. The crackled glaze is ivory 


white, of beautiful texture. 
Height, 9 inches. 


172—AmERICAN WuitE PorcELAIN PITCHER 


In the same pattern as the preceding number, but of slightly 


smaller size. Period, 1845. 
Height, 81% inches. 


First Afternoon 


173—Pair oF BrennincTon Docs 


“Right and Left,” in the usual form of a partly clipped 
ky ( / poodle. Yellow glaze, mottled with brown. (One has been 
he , IV repaired.) Period, 1847. 


(Illustrated) 


No. 178—Pair or BENNINGTON Doas 


First Afternoon 


174—Pair or Uniaue Wuitrt Guazep Does 
“Right and Left,” in the form of a partly clipped poodle. 


Re Sf The model and glaze are Bennington. ‘They were made 
) ) , , “© from the Bennington moulds, after the closing of that fac- 
Ae ie tory, by a Bennington potter by the name of Dow, from 
h fv whose family they were purchased. Period, 1859. 
PA (Illustrated) 


STAFFORDSHIRE LUSTRE WARE OF THE EARLY 
NINETEENTH CENTURY 


175—STAFFORDSHIRE CANARY AND Coprer Lustre Grrr Cup 


( 0 The inscription, in a wreath-like pattern, decorates the cup. 
Dy Period, early nineteenth century. 
Height, 214 inches. 


176—STAFFORDSHIRE SILVER LustrE Muce 


ae Flaring rim and base and looped handle. Period, early 
| ) ei nineteenth century. 
Height, 4 inches. 


177—Pair oF STAFFORDSHIRE LustrE Mues 


The straight, flarmg body has a broad blue band upon 
ee (7 which is sketched a floral pattern in lustre. Period, early 

I), J nineteenth century. 
y Ta Height, 4 inches. 


178—STAFFORDSHIRE SILVER LustrE CrEAM PITCHER 


X © Oblong body, round spout and angular handle. On the 

nh « body is a reeded pattern in relief. Period, early nineteenth 
y century. 

Height, 4 inches. 


179—STAFFORDSHIRE SucAaR Bowu 


Silver lustre. The cover and body are decorated with a 

ai 4 veeded pattern. (Cracked.) Period, early nineteenth cen- 
4 UJ aot) tury. 

Re Height, 41% inches. 


1 z 


| 
: 
: 


S90(Q] GHZVIQ)H ALIH AA ANDINA AO AIVG—FLT ‘ON 


First Afternoon 


180—SraFFoRDSHIRE Srttver Resist PIrcHER 
“PD Pear-shaped body, curved spout and conventional handle. 
Os On each side is a panel of white ground in which is printed a 
6) See landscape in sepia. The remainder of the body is decorated 
ii in floral forms. Period, early nineteenth century. 


Height, 414%, inches. 
(Illustrated) 


181—STarrorpsHIRE Sitver Resist Lustre PircHer 
Pear-shaped, paneled body, with irregular cylindrical neck, 
: curved spout and angular handle. The entire groundwork 
ye ra is of silver lustre. On the neck is a garland of roses and 
5 ss leaves in white relief, below which is a beading of lustre. 
The body is finely reeded except where circular panels on 
front, back and sides are introduced. These contain a con- 
ventionalized chrysanthemum in white reserve. Period, 


early nineteenth century. 
Height, 41/, inches. 
(Illustrated) 


182—STAFFORDSHIRE SILVER Resist Lustre Lovine Cup 


Inverted bell-shaped body with graceful looped handles; 

/ body on delicate circular foot. The body is decorated in 

() ) silver resist with a conventionalized floral design on a fish 
4 scale background. The foot has a silver band and vine of 
: the white reserve. A charming example, in fine condition. 


Period, early nineteenth century. 
Height, 4°, inches. 


(Illustrated) 


183—Pair STAFFORDSHIRE SinveR Resist Lustre PircHers 
/ Flattened pear-shaped body with rounded spout and straight 
c by he looped handle. Decorated in relief with carved flutings, 
.» mask on either side in colors and silver resist festoons, 
f ¢ rosettes and leaves. Period, early nineteenth century. 


ag Be 


Height, 5 inches. 
(Illustrated) 


181 180 


183 


STAFFORDSHIRE SitveR Resist Lustre Pircuers aNnp Loving Cup 


First Afternoon 


184—-REMARKABLE STAFFORD- 
SHIRE Pink LwvusTRE 
PITCHER 


Flattened pear-shaped body, 
short oval neck and curved 
handle. The body is prac- 
tically covered with an 
apple-green glaze, broken, 
however, by white reserves 
which take the form of a 
garland of leaves and grapes 


th . ) | ) at the neck and landscapes with setter and pointer dogs, all 
ye r| ey in relief. These reliefs are partly decorated in pink and 
Crest purple lustre and partly left white. There is a narrow 


moulded border at rim which is decorated with pink lustre, 
as is the handle. In the writer’s experience this example is 
unique. Period, early nineteenth century. 


Height, 434, inches. 


185—SrarrorpsHirE Gotp Lustre PircHer 
«<’D____ Low bulbous body, cylindrical neck, round spout and looped 
Ay handle. Body of the jug is ornamented in applied relief 
- designs in white. Period, early nineteenth century. 
Height, 41% inches. 


186—STaAFFORDSHIRE Copper Resist Lustre GosBLet 
rd Bulbous bowl on high balustered foot. A vertical reeding 
~ covers the lower part of the bowl and a band of pink resist 
tid 8. with vines and tendrils decorates the top portion. Period, 


early nineteenth century. 
Height, 41%, inches. 


187—STAFFORDSHIRE CoprreR Lustre GOBLET 


a Pear-shaped bowl on high foot. The body of the bowl is 
Y¥  covered with a greenish-gray glaze, on which are applied 
~ designs in bright colors. Period, early nineteenth century. 


Height, 414, inches. 


First Afternoon 


188—STAFFORDSHIRE Pe TaN Tc 
Lustre PiItrcHer 


Inverted pear-shaped 
body, cylindrical neck and 
curved handle. The neck 
is decorated with a wide 
key pattern in lustre while 
the body is_ practically 
covered with landscapes in 
lustre. The use of the 
key pattern in the decora- 
tion of this ware was very 
infrequent. Period, early nineteenth century. 


Height, 5 inches. 


189—SrTaFFORDSHIRE SitverR Resist Lustre PircHEer 
Pear-shaped body, with rounded spout and straight looped 
handle. Decorated, in silver resist, with detached trefoil 
leaves and scroll. Period, early nineteenth century. 


Height, 5 inches. 


190—STAFFORDSHIRE SILVER LustrE GOBLET 


Cylindrical bow! on high foot. Period, early nineteenth 


century. 
Height, 51/4, inches. 


191—STAFFORDSHIRE Pink Resist Lustre PircHer 


Pear-shaped, with rounded spout and looped handle. Dec- 
orated, in pink resist, with leaves and flowers. Period, early 


nineteenth century. 
Height, 5 inches. 


First Afternoon 


eee oe, 192—STAFFORDSHIRE SILVER 
: Resist Jue 


Flattened bulbous body, 
curved spout and looped 
handle. The body is di- 
vided into convex and con- 
cave panels, the former 
having bold flutings, 
which run into narrower 
flutings at the bottom. 
Grape-vines and fruits in 
relief decorate the neck and fall into the concave panels. 
The reliefs are in white glaze and the background is in sil- 
ver. Very rare. Period, early nineteenth century. 


Height, 51% inches. 


193—Pam OF STAFFORDSHIRE Goup Lustre PiTrcHERS 
A) Vase shape, with a band of yellow about the body and a 


ond smaller one about the neck. ‘These bands have painted 
o *\ ' . 4A upon them conventionalized leaves in lustre, which on this 
Ve | WY ground of course becomes pink. The lustre is very fine and 
a even. Period, early nineteenth century. (One handle 


slightly repaired.) oe 
eight, 514 inches. 


194—SrarrorpsHirRE Goutp Resist Lustre PircHEer 
Short, bulbous body, cylindrical neck, curved spout and 
looped handle. The white glaze is practically covered with 
the gold lustre. Around the neck is a vine with grapes and 
ata leaves in white relief. The body is decorated with Wedg- 
a ee wood groups in white relief. Period, early nineteenth cen- 


‘ tury. 
Height, 514 inches. 


First Afternoon 


195—STAFFORDSHIRE LUSTRE 
Pottery PircHer 


Pear-shaped, with elongated 
cylindrical neck, curved 
spout and angular handle. 
Invested with a white glaze. 
The rim is decorated with a 
purple lustre edge, below 
which is a garland of grapes 
and leaves in purple lustre, 
and green. On one side are 
three ships in relief in pink lustre, placed on a green band to 
suggest the sea. The reverse side has, in relief, children at 
play with a ram. Ship decoration on this ware is very rare. 
Period, early nineteenth century. 


Height, 514 inches. 


196—StTaFForDsHIRE PurPLE Lustre PircHEeR 
Oval, pear-shaped body with cylindrical neck, curved spout 
and looped handle. Invested with a white glaze and dec- 
orated, in colors and purple lustre, in relief, with a hunting 
subject of men and dogs and with a band of vine leaves and 
grapes. Period, early nineteenth century. 


Height, 51% inches. 


197—STAFFORDSHIRE CorAaL Resist PITCHER 


Globular body, cylindrical neck, round spout and angular 
handle. A broad coral band decorates the body. On this, 
in resist, is the figure of a bird in a tree. Period, early 
nineteenth century. 


Height, 514, in ches. 


First Afternoon 


198—STAFFORDSHIRE Pink Lustre PITcHER 


Oval, pear-shaped body, curved spout and looped handle; 


/ # covered with a brownish glaze. Panels are used to decorate 


") >" the body. On the sides are houses sketched impression- 
ey, istically in the pink lustre. The other two panels contain 


floral sprays with the flutings covered by pink lustre. 
Around the neck are garlands of flowers and leaves in pink 
lustre and apple green. Period, early nineteenth century. 


Height, 51% inches. 


199—STAFFORDSHIRE Pinx Lustre PitrcHerR 


Practically the same as the foregoing number and very likely 
from the same mould. In this example, however, the dec- 
oration is wholly in lustre, the green having been omitted. 
Period, early nineteenth century. 


a te 
€ oS lien 


Height, 514 inches. 


200—STAFFORDSHIRE Tospacco JAR 


ve ) Cylindrical-shaped, with flaring foot and cover. Gray pot- 
A = tery decorated with silver lustre design in relief. Period, 
\ | early nineteenth century. 
\ 


Height, 514 inches. 


201—Sra¥FForDsHIRE Sitver Resist PircHer 
, Pear-shaped body, curved spout and conventional handle. 
| “ 4 | Decorated ona white ground with birds and foliage in silver 
LY resist. Period, early nineteenth century. 
Height, 51% inches. 


First Afternoon 


202—STaFForRDSHIRE Pink Lustre PiTcHER 
Oval, pear-shaped body with cylindrical neck, curved spout 
and looped handle. Invested with a white glaze and deco- 
rated, in relief, with a band of basket-work, a band of oak 
leaves and tendrils in purple lustre, and with a fox-hunting 
scene with huntsmen, horses, hounds and trees in green, pink 
and purple lustre. A perfect example of this rare type. 


Period, early nineteenth century. : 
Height, 6 inches. 


203—Pair oF STAFFORDSHIRE CoprerR Lustre PitcHERS 


Pear-shaped body with cylindrical neck, curved spout and 
looped handle. A band of pink decorates the body. On this 
band is painted a lacy design in the copper lustre. Beau- 
tiful in color and glaze. Period, early nineteenth century. 


Height, 51% inches. 


204—STAFFORDSHIRE Copper Lustre PircHEeR 


Pear-shaped body with lustre neck, spout and handle. The 
decoration is in lustre stencilled on a blue ground. Of beau- 
tiful glaze and color. Period, early nineteenth century. 


Height, 534, inches. 


A 


bce On te 


f 
/ 


First Afternoon 


205—STAFFORDSHIRE PURPLE 
Lustre PircHEeR 
Pear-shaped body with cyl- 
indrical neck, curved spout 
and straight looped handle. 
Invested with a white glaze 
and decorated, as to the rim, 
with a band of leaves, in re- 
lief and purple lustre, and as 
to the body, with a group of 
vine leaves, grapes and ten- 
drils in purple lustre. For softness of texture and lightness 
coupled with a very rare form of decoration, this example 
is practically unique. Period, early nineteenth century. 


Height, 61% inches. 


206—STAFFORDSHIRE Lustre Potrrrery PITCHER 


Paneled body with elongated cylindrical neck, curved spout 

and looped handle. Invested with a white glaze. The rim 

v a4 is decorated with a purple lustre edge, and on the neck are 

4 garlands of leaves and grapes in red, green and purple 

b lustre. On the sides of the body are cottages painted in 
pink lustre. Period, early nineteenth century. 


Height, 6 inches. 


207—STAFFORDSHIRE CopreR Lustre PircHER 
Pear-shaped body, cylindrical neck, curved spout and looped 
vA handle. The copper lustre covers the neck inside and out 
D as well as the foot. A band of rich deep blue forms the 
ra) body, and on this are printed rural scenes of figures and 
, trees in reddish brown. Period, early nineteenth century. 


Height, 6 inches. 


First Afternoon 


208—RarESTAFFORDSHIRE 
PITCHER 

Bulbous body, with cylindri- 
cal neck and usual form of 
handle and spout. On one 
side is a finely engraved 
transfer in black of a naval 
engagement, entitled, ‘The 
Constitution in close action 
with the Guerriere.” On the 
reverse is another battle — 
scene, entitled, “Second view of Com. Perry’s Victory.” 
Under each engraving is the inscription: “Bentley, Wear 
& Bourne, Engravers and Printers, Shelton, Staffordshire.” 
There are borders of pink lustre at neck, foot and handle. 
Probably a unique specimen. Period, early nineteenth cen- 

tury. (Small chip repaired.) 
Height, 7%, inches. 


209—SrarrorpDsHIRE Lustre Porrery PircHErR 
Pear-shaped, with elongated cylindrical neck, curved spout 
and looped handle. Invested with a white glaze. The rim is 
ornamented with a purple lustre band. The body is entirely 
covered with a decoration of vines in relief in purple lustre 
and green enamel. Period, early nineteenth century. 


Height, 61% inches. 


210—Two oF a SET OF STAFFORDSHIRE PurPLE Lustre PircHers 
Oval, pear-shaped body with curved spout and looped 
handle. Invested with a white glaze and decorated, in relief, 
with bands of C-scrolls and imbrications, and with Teniers 
groups of peasants carousing; all painted with purple lustre. 
Period, early nineteenth century. 


Heights, 64% and 5% inches. 


First Afternoon 


211—STAFFORDSHIRE Copper Lustre “CorNwAuus” PircHER 


Se Bulbous body, flaring neck, curved spout and looped handle. 

2, ‘) ~— Around the body is a broad band of canary yellow, broken 
a by reserves in white, in one of which is a black print of Corn- 
wallis surrendering his sword at Yorktown. On the opposite 

side is a portrait of Lafayette. Period, early nineteenth 


century. Height, 6 inches. 


212—SrarFrorpsHIRE Copper Lustre PircHER 
Body with flaring, straight sides, cylindrical neck, curved 
spout and angular handle. The copper lustre covers the 
Ve shoulder, neck and spout, inside and out. Around the body 
ge is a broad yellow band, on which are two printed Swiss 
scenes in delicate colors. Period, early nineteenth century. 
Height, 61% inches. 


213—Pair or STAFFORDSHIRE Copper Lustre PitcHERs 
AD Vase-shaped, with angular handles. About the body runs 
2 a canary colored band, with large reserves in white on either 
4 ' i” side, in which are prints of mother and child in rose, brown, 
1) , fi” blue and green.. Within a small reserve in front is a bunch 
, of fruit. (One handle has been repaired.) Period, early 
nineteenth century. Height, 65% inches. 


214—STaFFoRDsHIRE Copper Lustre PircHER 
Body with flaring straight sides, cylindrical neck, curved 
/) spout and angular handle. The body is practically covered 
~ /“, with a broad apple-green band, in which large reserves in 
oie white enclose the figures of a woman and child in Directoire 
> ) - costumes of old rose and yellow. Not a rare shape nor 
are the decorations unusual, but the apple-green applied to 
this type is unique in the writer’s experience. Period, early 
nineteenth century. Height, 61/, inches. 


215—STAFFORDSHIRE Pink Lustre Bown 


Invested with a white glaze and painted on the outside with 
+, x, trees and houses in a beautiful pink lustre. Bands of the 


‘ . yA . ° . . . 
} oe pink lustre ornament the inside. Period, early nineteenth 
D century. Diameter, 6%, inches; height, 34% inches. 


First Afternoon 


216—Pair oF StTarrorpsHrreE Pink Resist Lustre Bowts a 
)) 
i 


Invested with a white glaze. A band of lustre ornaments U)} l 
the rim inside and out, while the body of the bowl is prac- Lo Ape 
tically covered with a wide band of pink lustre broken by JY” 
white reserves. In these are painted conventionalized flow- 

ers with green centers and large clover leaves in the same 

brilliant green. A beautiful pair. Period, early nineteenth 


century. 
Diameter, 6 inches; height, 3 inches. 


217—STAFFORDSHIRE SILVER Resist Lustre Masonic PircHer 


Pear-shaped body with cylindrical neck, curved spout and ee 
angular handle. ‘The entire groundwork is in the silver a d 
lustre, the body being decorated with Masonic emblems and 
the foot and neck banded in white reserve. Period, early 


nineteenth century. | 
Height, 634, inches. 


218—Pair oF STAFFORDSHIRE CoprPpeR LustrE FLOWER-POTS AND 
STANDS 


Cylindrical, with flaring rim and foot. The pot is entirely 
covered with the lustre except for a band of king’s blue, 
which ornaments the middle. On this band are placed two i a 
sprays of flowers, in relief, painted deep rose and copper 
lustre. The handles are suggested by lions’ heads, in high 
relief, holding rings in their mouths. The stands are cov- 
ered with copper lustre, and have the corresponding king’s 
blue band. Period, early nineteenth century. 

Height, 6 inches. 


First. Afternoon 


219—Wepewoop Lustre PircHEr 
si Pear-shaped, with rounded spout and looped handle. Cov- 
(Se / ered with a marbled pink lustre. Wedgwood pitchers with 
| this form of decoration are extremely rare. Mark: “Wedg- 
wood,” impressed. Period, early nineteenth century. 


Height, 6%4 inches. 


220—STAFFORDSHIRE CoprpER Lustre PITCHER 


Globular body with cylindrical neck, curved spout and 

looped handle. The neck, spout, handles and foot are coy- 

Phe. ered with the copper lustre. The body is covered with a 

, 5 blue-white glaze and ornamented with exotic birds and flow- 
ers in brilliant colors after the Chinese manner. This rare 

piece is illustrated in Bosanko’s little book on lustred ware, 

and is there attributed to the Spode factory. Period, early 


nineteenth century. Height, 6 inches. 


221—STAFFORDSHIRE CANARY AND LustrRE PITCHER 


Pear-shaped body, cylindrical neck, curved spout and angu- 

h / lar handle. Covered with a beautiful canary glaze and orna- 

) ~ mented with bands of silver on neck, spout, handle and foot. 

- A band of it also encircles the large black transfer prints 

of rural scenes which decorate both sides of the pitcher. A 
beautiful specimen. Period, early nineteenth century. 


Height, 6 inches. 


oe Fe 


First Afternoon 


222—Unteuk STAFFORDSHIRE PircHEeR InN PINK REsIsT 


Globular body, cylindrical neck and angular handle. ‘The 
hunting scenes which the lustre has left in reserve are in 
underglaze blue transfer prints. The neck is decorated with 
a floral pattern in underglaze blue without lustre. The rim 
is marked by a band of lustre. The handle is decorated in 
lustre and blue. Underneath the foot is the letter S, done 
with a brush. It is probably the initial of Scott of Sunder- 
land. Combinations of silver resist with blue and other 
colors are occasionally found, but the writer has yet to learn 
of another specimen of blue and pink. (Very slight repair 
to handle.) Period, early nineteenth century. 


Height, 71% inches. 


222,1—STAFFORDSHIRE Pink Resist PITCHER 


Pear-shaped body, curved spout. and scrolled handle. The 
body is covered with the pink lustre, with a vine and tendril 
decoration in the underlying white glaze. The neck is simi- 
larly treated. Period, early nineteenth century. (Chips 


restored. ) 
Height, 51% inches. 


J Oe 


First Afternoon 


223—LarcE STAFFORDSHIRE SILVER AND BuivueE Resist PITCHER 


Pear-shaped body, curved spout and angular handle. Dec- 

7 orated on a white ground, in silver resist and blue, with 

Q G 0 huntsmen, horse, dogs and landscape. The figures are well 
drawn and the quality and condition are excellent through- 

out. This is the largest and finest specimen of this rare 

type that has come to the writer’s notice. Period, early 


nineteenth century. , 
Height, 7 inches; diameter of body, 7 inches. 


224—Parr oF LARGE STAFFORDSHIRE CopPpEeR LustRE PITCHERS 


Pear-shaped, with a collar of copper lustre, below which is a 

Ape seee band of gray-blue about five inches wide. The foot and 

of | , _ bottom are of copper lustre, as are the handle and spout. A 

Dp (A“ rare pair, in fine condition. Period, early nineteenth 
iy century. 

Height, 7% inches. 


225—STAFFORDSHIRE Coprer Lustre PircHEeR 


Pear-shaped body, cylindrical neck, round spout and looped 

iS y handle. ‘The body and neck are covered with a marbled 

| glaze in white, blue, brown and yellow. Period, early nine- 
teenth century. . 

Height, 514 inches. 


First Afternoon 


226—STAFFORDSHIRE CoprpER Resist PITCHER 


Pear-shaped body with lustre neck, spout and handle. From 
the neck to the foot the ground color is blue; over this the o) (ye oat 
copper lustre takes on a lilac shade and is broken by resist 
floral designs, which are of course in blue. A very rare form 
of decoration. Period, early nineteenth century. 
Height, 6 inches. 
227—STAFFORDSHIRE Pink Lustre PircHER 

Inverted pear-shaped body with curved spout, waved rim 
to the neck and angular handle. Invested with a white glaze 
and decorated on the body in panels. Four panels framed 
by reedings enclose Masonic emblems, printed in black. — i) —— 
Around the neck is a garland of roses and leaves in relief ~ 
and painted in pink lustre. The alternate use of white and 
pink in the reeded panel frames is very effective. (Chips 
repaired.) Period, early nineteenth century. 

Height, 7 inches. 


228—STAFFORDSHIRE Pink Lustre PiIrcHER 


Inverted pear-shaped body, curved spout, waved rim and 

angular handle; suggesting the preceding pitcher, though 

smaller and with a little different treatment as to the lustre. ~) OU <2 
The decoration in the panels, however, is a conventionalized ~ 

flower in pink lustre. Period, early nineteenth century. 


Height, 5%, inches. 


First Afternoon 


229—STAFFORDSHIRE SILvER Lustre CoFFEE-POT 
Tall body in broken barrel form; long, fluted spout and 
0 ~“ handle composed of large and small C-scrolls. The body 
has two bands of waved reedings and there is another on 
the cover. The lustre is of fine quality and in remarkable 
condition. Period, early nineteenth century. — 
Height of body, 814 inches; extreme height, 1114 inches. 


230—SrTaFrorpDsHIRE Pink Lustre Tra Set 
Of fine porcelain, beautifully decorated with landscapes. 
0) / These are among the best specimens of porcelain in pink 
/ ye lustre that have come under the writer’s observation. There 
are nineteen pieces, consisting of teapot and cover, sugar 
bowl and cover, creamer and six cups and saucers. Period, 
early nineteenth century. 


231—STAFFORDSHIRE Pink Lustre Tra Ser 


Of fine porcelain and fair decoration. The set consists of 
we ig teapot and cover, sugar bowl and cover, creamer, slop bow! 
and nine cups and saucers. Twenty-five pieces in all. 


o 
f) Period, early nineteenth century. 


First Afternoon 


232—STAFFORDSHIRE Pink Lustre PircHEer 
Bulbous body and conventional spout and handle; light 
brown glaze. Decorated at the neck and foot with borders 
and lines of pink lustre. On either side is a finely executed 
transfer print, in black, of allegorical scenes. Period, early 


nineteenth century. 
Height, 714, inches. 


STAFFORDSHIRE AND OTHER ENGLISH POTTERY 
OF THE EIGHTEENTH AND EARLY , 
NINETEENTH CENTURIES 


233—STAFFORDSHIRE Muvc 
Brown paste decorated with white slip. Period, 1800. 


234—STAFFORDSHIRE CuP AND SAUCER 
Covered with a deep ivory glaze and decorated with a red 
vine and sprays of flowers in a soft gray color. Period, 
1810. 


235—Buack JACKFIELD 'TEAPOT 
Globular body, rustic spout and handle. Covered with a 


black glaze. Period, 1760. 
Height, 31%, inches. 


236—STarrorDsHIRE CrEAM PITCHER 
Oval form, round spout and looped handle. The body has 
fluting and panels impressed in the paste. It is covered with 
a white glaze and decorated with leaves and grasses in green 


and yellow. Period, 1795. 
Height, 41% inches. 


2937—STAFFORDSHIRE CREAM PITCHER 


Light brown glaze. Decoration in relief of eagle’s head, 
wings, etc. Transfer printed in brown on both sides. Period, 


1810. 


238—Smautu LEEDS SWiter Boat 
Paneled body. 


» 
L 


First Afternoon 


239—STAFFORDSHIRE CREAM PITCHER 


A) Globular body, cylindrical neck, masked spout and looped 

4 if handle. The body has basket-like decoration surmounted 

"| ' by a rope edge impressed in the paste. Colored blue, yellow 
/ and brown. Period, 1805. 

Height, 51% inches. 


240—Darxk Buiur STAFrForDSHIRE SucaR Bow. 
cv “McDonough’s Victory.” Beautiful color and glaze. Period, 


hy 1825. 
“A Height, 7 inches. 


241—STAFFORDSHIRE ‘T'EAPOT 


Paneled body and looped handle. On the sides in relief are 

y eagles with branches in their beaks. Around the neck of 

“ the pot is a garland of poppies and leaves. Orange, green 

and dark blue glazes are used in these designs. Period, 
1810. 


cs 


Height, 6 inches. 


242—BristoL DetFr SHAvING Bown 


< Grayish-white glaze with floral design in blue. Period, 
1? 7 about 1750. 


Diameter, 9 inches. 


243—Darx Biur STAFFORDSHIRE PITCHER 


wv “Landing of Lafayette,” by Clews. Fine color and glaze. 
eat Period, 1825. 
oD, ; Height, 7 inches. 


244—Dark BLuE STAFFORDSHIRE PITCHER 
sd Arms of United States on front. Fine color and glaze. 


1 Period, 1825. 
Height, 7 inches. 


245—Mason Ware PitrcHer 
| Paneled pear-shaped body and neck, pewter cover and looped 
a handle covered with a greenish-gray glaze. Marked: 
/ *“Mason’s Patent Ironstone China.” Period, 1830. 


1, 
| Height, 61% inches. 
i 


First Afternoon 


246—STaFFoRDSHIRE “LANDING OF THE Piuerims” PircHER 
Pear-shaped body, curved spout and angular handle. ‘The 
body is covered with the minute pattern known in connection 
with early gilt works as “gesso.” This is broken in three 
large reserves of white glaze. Those on the sides are bor- 
dered in twisted ribbons inscribed, “Landing of the Fathers 
at Plymouth,” and contain views printed in blue of the land- 
ing of the Pilgrims at Plymouth Rock. The reserve at the 
front is bordered in laurel branches and inscribed, “‘Carver, 
Bradford, Winslow, Standish & Brewster, Plymouth, Dec. 


22, 1620.” Period, 1820. 
Height, 71, inches. 


24°7—STAFFORDSHIRE WasH Bow. anv PITCHER 
Light blue Staffordshire. Landscape decoration. Period, 
1835. 


248—SrarrorpsHIRE Wasn Bowt anv Pircuer 
Light blue Staffordshire. Landscape decoration. Period, 
1835. . 


249—“LanpING oF LaFAYETTE” PLATE 
Fine dark blue color and glaze. Period, 1825. 
Height, 7 inches. 


First Afternoon 


2?50—-Bristot Dretrr PLATE 


s Bluish-gray glaze with floral designs in panels painted in 
_~ blue under the glaze. In the center appear the initials 
/ eM. Do andidates: Liguy 


Diameter, 834 inches. 


251—Larcr STAFFORDSHIRE PITCHER 


ES. Barrel-shaped body, round spout and looped handle. Cov- 
» 4 ered with a brown glaze. The body is decorated with bands — 
/ v of green, yellow and gray, upon which are painted twining 


ropes of shelis. Period, 1795. 
Height, 8 inches. 


252—STAFFORDSHIRE STATUETTE 
} () — “Uncle Tom and Eva.” Very late, of course, but rare. 
/ 


2524—STAFFORDSHIRE WasH Bown AND. PITCHER 


Dark blue, with “Landing of Lafayette” pictured on either 
— side of pitcher and in bowl. 


90 


253—STAFFORDSHIRE STATUETTE 


Black glaze. (Repaired.) Mark: “Wood & Caldwell.” 


MISCELLANEOUS OBJECTS IN COPPER, BRASS AND 
OTHER METALS 


eo 254—AMERICAN CoprprEeR SAUCEPAN 


4) ae ee Of eighteenth century workmanship. 
Height, 41, inches. 


Se 255—AmERIcAN Copper KETTLE 
A) Of cylindrical form and eighteenth century workmanship. 
+ Height, 7 inches. 


256—Brass Tra Kerrie 
of, h Found at Bruges, Belgium, in 1900. Eighteenth century. 


Height, 71/, inches. 


First Afternoon 


257—F ive Smauyt Pieces EicgoTeentuH Century Prewrer 


(4) ee Queen Anne hot-water urn. 7 ty ee 
(ps) Skillet with moulded decoration. ht N 
(c) Gourd-shaped ladle. / 


(>) Small porringer. 
(x) Cream jug with bow legs and splay feet. 


258—AMERICAN CoprerR Hot-watEerR Borrie 


Kighteenth century. 
Length, 13 inches. 


Ode Meyay. PLatE WARMER 


Japanned metal with painted flowers on door. Bandy legs 
and paw feet. Period, 1840. 


260—Empossep Brass TRAY AND STAND 


Of eighteenth century East Indian workmanship, with fig- 
ures and characters in high relief. The rim is raised and 
moulded. It rests upon a turned, collapsible stand. 


Diameter, 261%, inches. 


960a—Earty American Warmine Pan 


Brass, with engraved cover. Early turned handle. 


261—Paintep Tra Tray 
Metal with wide piecrust rim. Period, 1825. 
Length, 29 inches; width, 23 inches. 


-262—HepriewnitEe Parwtep Metat Tray 

Oval form with pierced gallery and decorated around the 
edge with a key pattern. In the center is a group of figures, 
well executed, in richly colored costumes mellowed with age. 


Period, 1790. 
30 by 24 inches. 


Ee 


ae 


| 


First Afternoon 


TEXTILES 
vis 263—AMERICAN SAMPLER 

pa Signed, “Jane Wood, 1782.” 
& 104%, by 12% inches. 

nO 

2 Y 264—AmeErican SaMPLER 

<] v Signed, ““Martha Miers 1803.” 

4 : 174% by 12% inches. 


a 265—AMERICAN SAMPLER 
— a Signed, “Jane Maria Roberts, New York, 1837.” 
joe 


15 by 15 inches. 


_266—SamPLeRr 


= - Unsigned. 


“~) “) v 17 by 17 inches. 
” 
267—AMERICAN SAMPLER 
Pre tne Signed, “Matilda Anne Cullin 1840.” 
a es eee 18 by 18 inches. 
\ 4 
268—ENcLisH SAMPLER 
‘C “© Worked on silk of various colors, depicting a house, wind- 
oe mills, trees, potted plants, etc., all surrounded by a floral 
a / border. Signed, “Elizabeth Atherton 1823.” Original 
Ap frame, 
17 by 12 inches. 
269—NeEEDLEWoRK Map or Encianp 
A eg Done on silk with symbolic scenes in the corners. Original 
/ ( frame. Period, 1790. 
22 by 201%, inches. 
270—AMERICAN SAMPLER 
aye es Signed, “Mary Matilda Carson.” 
f Dee 20, by 201% inches. 


x 
271—Larcr Homespun Brpspreap 


Dark blue with conventional floral design in white. Period, 


“ 1850. 
20 


First Afternoon 


272—Homerspun BEpspreap 
Dark blue and white with geometrical pattern and border. 
Period, 1840. 


273—HomeEspun BeEpspreap 
Dark blue and white with a geometrical pattern and border. 
Period, 1840. 


274—PatcHwork Brpspreap 
Very large and of good design and coloring. Period, 1830. 


275—Fine Larcrt Hooxrep Rue 
The design suggests the Oriental. It has a deep border of 
vertical stripes in variegated colors with an inside border of 
conventionalized leaves. The whole center is covered with a 
diaper pattern in soft, rich colors. Period, 1850. 


Size, 10 feet by 6 feet 81% inches. 


276—Pair AmeERicAN Brass ANDIRONS 
Slender form, of the Adam period, with urn-shaped finials, 
cabriole legs and flattened circular feet. American. Period, 


1790. 
Height, 211%, inches. 


277—Pam or American Brass ANDIRONS AND FirE SET TO 
Matcu 
“Right and Left,” with urn-shaped top and hexagonal base. 
The legs are cabriole and end in ball feet. Period, 1790. 


Height, 241, inches. 


278—Parr AmeERicAN STEEPLE Top Anpirons Aanp ‘Tones 
The irons are in the form of a hexagonal and balustered 
column which is surmounted by the hexagonal cone-shaped 
“Steeple.” Cabriole legs and ball feet. Period, 1780. 


Height, 24 inches. 


¢ 0, ¢) 
j . 


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